I’m 100% sure the makers of “Sci-Fighters” came up with the title first and the plot second, without worrying about any of those pesky things like what it meant, if it made any sense, etc. Looking for a plot, they made an amalgam of “Blade Runner” and “Die Hard” (two movies with titles that also don’t make much sense); voila, another 1990s video shop classic is born.
It’s a fond return for one of the more long-lasting ISCFC genres, the “space prison” movie. So far, we’ve covered “Alien Space Avenger”, “Moonbase”, “Lockout”, “Assault on Dome 4”, “Starfire Mutiny”, “Total Reality”, “Critters”, “Fortress” 1 and 2, and probably a few others I’ve forgotten; I am prepared to go on the record to say I will watch pretty much anything set in a space prison. Although “Sci-Fighters” only uses it as a jumping off point, but makes sure to make it as confusing as possible, in case you had any crazy ideas about enjoying it or anything like that.
Billy Drago, one of the all-time great “That Guy” actors, is Adrian Dunn, in prison on the Moon, and because one of the other inmates steals a cigarette from him, he starts a circular saw fight (!) and ends up by beating the other guy to death. While trying to make it look like an accident after the fact, Dunn digs an alien parasite of some sort out of the dead guy and puts it in his arm, then “dies” from the exposure. He definitely does this deliberately, although why he does it and how he knows it will have any effect on him is a matter the movie chooses not to bother itself with.
Back on earth, our good friend “Rowdy” Roddy Piper is Detective Cameron Grayson, who’s a special cop with a black badge, which means he can investigate whatever he likes, no matter what his super-stereotypical Captain has to say about it. Thanks to some very crude exposition, we discover the Earth has been under a layer of night (called Econight, caused by volcanic ash maybe?) for 79 days, and everyone’s getting a bit tired of it. They try and simulate daylight by turning on as many lights as possible during the “daytime”, but it’s not working. Oh, and it’s 2009! I love a good “future that’s already happened” movie. He was partners with Dunn but they had a very unpleasant (and, at least initially, unspecified) falling-out, many years ago.
Turns out Grayson and Dunn were partners on the police, way back, and had an (at least initially unspecified) serious falling out some time ago. Presumably, before the being locked up in space prison thing? Anyway, Dunn is brought back to Earth for burial, but he revives thanks to his body’s guest and goes back to his old killing ways, while gradually deteriorating, both physically and mentally. The spore thing he carries inside him spreads, sort of a bit like “The Hidden” but not really, and Grayson has to stop him. To this end, he ropes in scientist Dr Kirbie Younger (Jayne Heitmeyer, “Earth: Final Conflict”)…
Okay, there’s a rather large and entirely pointless coincidence here. Turns out that Grayson’s dead wife, who he “stole” from Dunn and who Dunn then killed, looks exactly the same as Dr Kirbie. There are no flashbacks, and aside from one moment where she tries to convince Dunn she’s still alive and he should stop murdering people, it’s a sub-plot they do nothing with. I presume there was something left on the cutting room floor?
Anyway, there are no real surprises in store if you choose to watch this, just lots of bits cribbed from other, both better and worse, sci-fi / action movies. Piper and Drago are both excellent, pitching their performances perfectly for the material, and once again Heitmeyer shows she was wasted on cheap genre stuff like this. The OTT captain is lots of fun too, there are plenty of fun minor characters…but it’s really really slow in the middle, and the weird way the three main characters are linked ends up being rather annoying.
There’s some fun world-building, though, and you might be forgiven for expecting a sequel. Director Peter Svatek dipped his toe in these genre waters before becoming a TV movie guy, but writer Mark Sevi has previous ISCFC form, having given the world “Scanner Cop 2” and “Terminal Rush” (and lots of movies we really ought to cover). There’s plenty of talent involved, is what I’m getting at in a rather roundabout way. I’m just not sure any of them could be bothered in this instance – maybe there’s a really interesting story about the production? It just feels like they thought up a cool future-world, some great characters but then abandoned the script after writing a beginning and an end.
Not one you’re going to remember much a few days after seeing it, but still good fun. Ish.
Rating: thumbs in the middle