I had a whole thing planned for the beginning of this review based on a line from the “official” IMDB synopsis. It reads in part: “The plot becomes difficult to follow as it changes between real life and the movie they are making.” I was expecting some bonkers David A Prior film-within-a-film nonsense, like 1990’s “Invasion Force”.
But it turns out that doesn’t happen, and IMDB are lying to us. There’s a grand total of two scenes from the movie they’re working on, and it’s totally obvious that’s what it is (because the characters have different names, for one). So let’s journey through this “erotic thriller” together and see if he’s figured out how to make one by now, eh?
Anyway. Sally Kirkland, Oscar-nominated (“Anna”, 1987) and way too classy for this, is Monica Martel, an ageing movie star who’s attempting a comeback after 20 years away. We’re never informed what caused her hiatus, but she’s back, and starring in an erotic thriller alongside her much younger boyfriend Eric Cline (Andrew Stevens, “Mongolian Death Worm”...and “Dallas”, “Massacre At Central High” and tons of other things – best known now as a producer, though). When the director shows the producer what he’s got, the producer (Tony Franciosa, who was in “Tenebrae” and tons of other great things, and was also nominated for an Oscar, in 1958’s “A Hatful Of Rain”) likes it, but says there needs to be more flesh. I mean, he’s not wrong, as no-one watches this nonsense for the plot.
So they hire a body double, Lisa. She’s played by Sherrie Rose, who we first met in the extraordinary “Summer Job”, and is now something of an ISCFC regular, appearing in “Lauderdale”, “No Retreat, No Surrender 3”, and “No Retreat, No Surrender 4” (as a different character).
While Monica does not want to take her clothes off for the movie she’s making, Sally Kirkland has no such issues, and we’re treated to a scene of her masturbating to a video of Eric lifting weights, and a few topless segments later on. Anyway, she’s furious about the body double but there’s nothing she can do, so after the necessary introductions we get a love scene between Eric and Lisa which is, I have say, not how I’d film a sex scene involving a body double. I’d probably do it by filming Monica’s face in close-up looking all excited, then filming a variety of shots of the naked Lisa, but making sure her face wasn’t in shot or was obscured. They just straight-up film the scene with Lisa instead of Monica here. Regular ISCFC readers may remember Prior’s “Deadly Dancer”, which features one of the craziest uses of a body double in history, and maybe he got mocked for it so much that he decided to make it a plot point in a future movie?
There’s also a cop lurking round proceedings, played by Richard Lynch (“Invasion Force”, “Scanner Cop”, “Terminal Virus”, “Cyborg 3”, “Puppet Master 3”), who suspects Eric of some unspecified but serious crime; and the producer is immediately established as a nice guy, which is a really weird choice. He’s Lisa’s Dad and the ex-husband of Monica, which I’m ashamed to say I completely missed the first time I watched it – yes, reader, I’m thorough.
Right, I’d best get on with it, if you wanted a vague recap of the movie you could just head to IMDB. Eric is a dog from minute 1 and tries to get with Lisa, Monica suspects and Eric barely tries to pretend he’s not going to have sex with her the first chance he gets. There’s a PI sniffing round, paid by person or persons unknown, a one-scene appearance by Ted Prior as a hoodlum, and another nice hefty clue in the shape of a missing gun which is full of blanks.
Aside: Again, I’m not a director, but the movie-within-a-movie scene where Monica tries to shoot Eric but there’s no bullets is ended by the director saying they’ll have to shoot the entire thing again. Er, why? It cuts to Monica right before she pulls the trigger, why not just shoot that bit again? David A Prior, you’d been making movies for over a decade by this point, you must have been aware of that, right?
The plot lurches all over the place in the last half-hour, as people try to kill other people, and people react weirdly to being told they’re being cheated on, and there’s an extremely risky strategy to expose the real villain. You know, one of those house-of-cards plans that just needs one thing to happen in a slightly different way to bring everything crashing down. But I’ll try and avoid spoilers, even though…are you going to spend all the effort I did to track down a VHS copy of this movie and watch it? Probably not, honestly. Just ask yourself – these people appear to have known each other for some time. Would there not have been family photos lying round? Or parties that family members were invited to?
I’ll say no more. Prior shoots this like every other bland TV movie, flat lighting, scene transitions like in TV, and were it not for Kirkland going all out to make it better than it deserved to be, it would totally appear to be every late-night Cinemax soft-core erotic thriller you’d ever seen (not that I’m implying you’ve seen a lot of them, dear reader, that’s just me). There’s just a little bit too much of that thing where the movie deliberately misleads you, rather than writing a clever script, and characters when there’s no one around to fool, acting like they don’t know each other when they very much do. Still, it’s nice to see a change from Prior.
It’s also nice to see a professional cast. While I don’t love Andrew Stephens, he’s a fine leading man; Kirkland is superb; Lynch is great too; the supporting cast are all okay; and Sherrie Rose deserved a much better career than these bottom-of-the-barrel movies we love so much here at the ISCFC. The budget remains high, though, with a car getting wrecked for no reason, and actual sets to accompany the real actors he’d hired.
Next up is a movie starring David Keith, Robert Hays, Stacy Keach, Charles Napier, and…Pamela Anderson? I presume it was filmed some time before its 1994 release date, as she was among the most famous women in the world by that time, two seasons into “Baywatch”, appearing on “Home Improvement” and getting her own starring vehicles.
Rating: thumbs down