Thank you for sticking with us for a few weeks while we did a bit of “housekeeping” – in other words, reviewing series that have been added to since we stopped reviewing them, once-lost-now-found movies from our favourite directors, that sort of thing. You, dear reader, are likely much less obsessive about these things than I, but hopefully you’ve been entertained and informed.
We love covering post-apocalyptic movies here, too, and given there are approximately an infinite number of them, we’ll never run out of review material. 1992’s “Prototype” is a peculiar one, though, for several reasons. It’s a welcome return for one of our favourite directors, Philip Roth (“Interceptor Force” 1 and 2, “Total Reality”, “Digital Man”, “Velocity Trap”) and a slightly less welcome return for “the extremely confusing plot”, and its twin brother, “the info-scroll at the beginning that doesn’t really explain anything”.
So, it’s the future, and I guess there’s been an extinction-level event of some sort. The remnants of humanity are hanging on, then some boffin creates “Omegas”, who are genetically altered humans. I think. They figure out how to reprogram themselves, and this period of history is known as “the time of the mad minds”. Why? I don’t have the foggiest idea, my friends, because the Omegas don’t appear to do anything bad, either before or after they re-program themselves.
Then, again for reasons that are never revealed to us, humanity invents the Prototypes to hunt down the Omegas. Whereas the Omegas are just people, the Prototypes are a sort of garish rip-off of Robocop; it appears they’re successful, as the last one powers down, its mission complete, after killing off what it believes is the last Omega. Sadly for it, the Omega thing, whatever that thing is, is implanted in a little blonde girl who manages to escape the carnage.
Fast forward 20 years. There’s the adult version of the blonde girl, a scientist working in what I presume is the last military base on Earth, someone who might be a soldier or she might just be his assistant, a guy in a wheelchair with a really sweet mullet, a kid who’s maybe related to the guy in the wheelchair, and a guy with that cornrow / mullet combination who is, a later info-scroll tells us, a genetically engineered protector for the Omega. Not an Omega, who are also genetically engineered, just a super-strong fighter who’s there to protect her. If you’re feeling a little lost, join the club.
One of the comments from my wife while watching this movie was “is this sponsored by Marlboro?” Everyone smokes, all the time, to the point where you have to wonder how cigarettes are still being made in the post-apocalyptic world of 2077. But such trifles distract from the central question relating to “Prototype”, viz:
What the hell is going on?
The info-scroll definitely indicates that the Omegas are the bad guys, and the Prototypes have restored peace in some way, yet later on the final Omega, Chandra Kerkorian (Lane Lenhart) is the hero, and the organization behind the Prototypes are the bad guys. Wheelchair-mullet guy, Hawkins Coselow (Robert Tossberg), we discover, was once in the Army, so scientist lady asks him to step up to be put in the Prototype armour, which will allow him to walk again (they had a body on ice for this purpose, but the bonding process didn’t take). He’s definitely a good guy, and is in love with Chandra, who seems completely indifferent to him, and indeed every other person in the cast. But then there’s a virtual reality sex thing where Hawkins goes through his fantasies with Chandra, although she might be taking part in some of them?
The movie sort of ambles along for an hour or so before they decide to put Hawkins in the suit and get on with the plot. It bears some similarities in its meandering please-get-to-the-point nature, as well as a post-apocalyptic setting, with British sci-fi movie “Hardware” (not much of a compliment). But it also has a kind of film noir feel to it, like the filmmakers were aiming for something they weren’t quite talented enough to pull off, which goes to the editing as well, which is extremely curious in places (presumably on purpose).
Even though I tried to find entertainment in “Prototype”, as I love a good post-apocalypse movie, I just couldn’t quite manage it. Whose side was anyone on? Who are we supposed to want to win? Are there any normal humans in this movie? What was this war all about?
Unless you’re a completist, either of Roth movies or post-apocalyptic ones, might be best to steer clear of this one. But, it’s up there for free, so you’ve only got your time to lose.
Rating: thumbs down