Full Moon Pictures once held the rights to make a movie based on “Dr. Strange”, the popular Marvel Comics character who’s in the cinema right now. Strange is the “Sorcerer Supreme”, gifted magic powers in order to protect the Earth; he wears a cape and has a powerful amulet. Sadly, nothing came of this, and the rights lapsed in 1991.
In unrelated news, Full Moon released this movie in 1992. Dr. Mordrid is given powers by the godlike Monitor in order, partly, to protect the Earth; he wears a cape and has a powerful amulet. One must salute their originality in bringing these visions to our screens.
It’s pretty strange seeing Jeffrey Combs, who’s played so many creepy villains and oddballs, as the lead. One gets the feeling that co-directors Charles and Albert Band (Albert being the Dad) would have liked Bruce Campbell, who’d have been perfect for the part, but he’d have been making “Army Of Darkness” at the time; Combs, with a decent haircut and an occasional smile, is a perfectly reasonable replacement. He lives in a massive apartment, walls covered in books, maps and arcane detritus; down the hall are a couple of colourful characters who might as well have “filler” stamped on their foreheads, and the smart “independent police consultant”, Samantha (Yvette Nipar). She consults with the police on black magic and cult stuff – a little surprised there’s a full time job for that, but whatever.
The villain is B-movie mainstay Brian Thompson (who, along with Combs, seems to have been in all the different “Star Trek” iterations) as Kabal, who’s also a very powerful interdimensional sorcerer. There’s a long and complicated history between the two, but Kabal escapes from magic prison and rounds up some alchemical items in order to open a portal back to the weird floating city that both call home, which is another dimension or something. This will let out a bunch of demons, and then it’s “beyond an apocalypse”, but luckily Mordrid is on the case.
I liked, although was a bit confused, by the scene where Samantha goes to a lecture on “Criminal Justice And The Supernatural”, given by Mordrid. He gives the same speech anyone who’s seen an episode of “Ancient Aliens” will recognise – “can we say this crazy thing isn’t plausible?” and “you must expand your minds!” – followed by a lot of rubbish about the moon and how it affects stuff on Earth (mostly untrue). She’s evidently extremely impressed by this, though, and gets to know the reclusive Mordrid, at the same time as he’s trying to stop Kabal from taking over.
Mordrid gets arrested, and while you might think he probably should have set up some spells to stop this stuff from happening, it leads reasonably onto the rest of the story. The creeping realisation comes, about halfway in, that this movie is really pretty good! Well, for Full Moon at least. Combs really gives it his all, attempting to convey his alien-ness while aiming for human at the same time, and one gets the feeling he appreciated the opportunity to lead a movie (perhaps angling for a franchise, as this would’ve made a great ongoing story, perhaps a TV series). He might be a little too earnest in places, like he didn’t quite believe what he had to say, but it’s a small criticism. Nipar’s great too, that tough-and-brilliant character whose love interest status was secondary to their character, that the 90s seemed to do so well. Thompson could have done this role in his sleep, but kudos to Jay Acovone as the cop who doesn’t believe a word of it, too. A cast, top to bottom, of people who can act, which – given the murky cinematic waters we usually swim in here – is by no means a given. And the effects are decent too, especially considering the budget, with the finale featuring two stop-motion dinosaur skeletons having a fight and not embarrassing themselves with it.
This is what I wished Full Moon had done more of. 75 minutes with no lulls; a logical, coherent story with a nice helping of camp to it (check out Mordrid’s blue outfit, clearly a Prince ripoff, and marvel at how Combs kept a straight face while wearing it); and an interesting world to take part in. This could well be the best Full Moon movie of them all, with that “house style” working for them – it’s a toss-up between this, “Subspecies”, and “Dollman”, I think.
Get yourself to www.fullmoonstreaming.com, drop a few $$ and enjoy this (and a few other excellent films too).
Rating: thumbs up