I present to you what might be the ultimate ISCFC movie, a culmination of so many different review threads and interests that we’ve shown in our 6 years of operation (don’t worry, we’re carrying on. As long as there are weird B-movies, we’ll be here). So here goes:
Reb Brown! He was in two Bruno Mattei / Claudio Fragasso movies (“Robowar” and “Strike Commando”), an Albert Pyun movie (“The Sword And The Sorceror”), a cheap superhero movie (“Captain America”), an MST3K episode (“Space Mutiny”), and the not very great “Yor, The Hunter From The Future”.
Sherrie Rose! She’s been in teen raunch (“Lauderdale” and all-time classic “Summer Job”), martial arts movies (“No Retreat, No Surrender” parts 3 and 4), an old David A Prior movie (1992’s “Double Threat”) and a bunch of genre gems that I watched before I started working for this site and never got round to re-covering – “Tales From The Crypt: Demon Knight” and the Cynthia Rothrock classic “Martial Law 2: Undercover”, to name but two.
Leilani Sarelle! After being very good in “Basic Instinct” (she was Sharon Stone’s girlfriend) she was not very good in Italian 80s horror “Neon Maniacs”.
Frank Stallone! The all-important “relative of someone much more famous” quotient of ISCFC reviews (see: Joe Estevez, Chris Mitchum, many others), he’s also been in “The Roller Blade Seven”, in the conversation for all-time worst ISCFC movie.
The “we can’t close the local festival even though there’s loads of deaths or we’ll ruin the economy” plot!
David A Prior! The director who’s filled our review schedule for the last six months or so.
All we’re missing is a link to Donald Farmer, Charles Band, and Len Kabasinski, and this would be at the centre of some FBI agent’s board, with bits of string going to all these other photos and genres (when they were trying to work out why I went crazy and committed those heinous acts, obviously).
Anyway, I suppose I’d better get on with it. Several different groups of people descend on the woods outside of Mobile, Alabama (which we’ve come to know and love as the budgets of Prior movies have gone down the toilet) – first up, is two couples and a guide, who’ve gone for a three-day wilderness adventure, learning to live off the land. Of interest to us is Ted Prior as Charlie and his trophy wife Cindy (Alissa Koenig, who was also in “Zombie Wars” and apparently retired from the acting game after this movie). Anyway, Charlie is, for absolutely no reason we’re ever given, a tightly wound ball of rage, threatening to murder the husband of the other couple after knowing him for about 30 seconds and nothing but wildly hostile to everyone he meets. I can’t help but think he told his brother that’s how he was going to play the character and David never bothered writing any explanation into the script.
Group two is led by Colonel Hunter Crawford, played by returning David A Prior villain David Campbell. Now, Campbell’s character has the same name and rank as his character from 1985’s “Killzone”, but whether this is a pointless Easter egg for us Prior obsessives or he just forgot is a question that we may never get answered. They’re huntin’ something!
Group three is the cops, led by Reb Brown and Sherrie Rose, who are just starting on a relationship, it would seem. I’m not sure even Alabama cops allow their deputies to wear their shirt as low-buttoned and cleavage-revealing as Sherrie Rose, but never mind. They’re accompanied by group four, which is Sarah (Sarelle), a scientist from a local-ish college, and her assistant.
All of a sudden, Bigfoot has awoken and started killing people, and that’s all the explanation we get. There’s a subplot about the real reason one of the characters is there which may or may not tie into “Killzone” (I mercifully remember almost nothing about it), but that’s about your lot.
“Night Claws” features some of the all-time worst “day for night” shots ever – when it’s very obviously daytime but the film is either underexposed or darkened in post-production to make it appear like it’s night. They even film a fire, which looks every bit as murky as the background around it, which is just lazy.
We’re also treated to a stealthy sasquatch, as the 8-foot tall, huge, hairy beast is able to get the drop on our human characters over and over again. I don’t care how naturally agile you are, if you’re that big, someone would hear you coming. And then there’s a few twists at the end which just leave you annoyed. Also high on the annoyance scale is how major characters are just killed off seemingly at random, as if the people who’d made this had no idea how drama works.
I’m genuinely delighted we’re getting to the end of this series now, dear reader. This might as well be a SyFy Channel original movie, just one with an older cast who’s slightly better at acting; I’m just annoyed now. I think I’ve found the person to blame, and that’s Fabio Soldani. He appears to be a rich kid who wanted to be a producer so threw some money at David A Prior – he also has story credits on these later movies, so I guess he went “hey David, I want you to do a sasquatch thing”. He even appears as a money man in the next Prior movie, so I may be on to something.
Anyway. Avoid, obviously.
Rating: thumbs down