One of my favourite topics to ponder while watching the sort of movies we love here at the ISCFC is Bad Guy Economics. Like, how does this criminal enterprise run? Is it a sustainable long-term model? Or would they get themselves murdered by competitors on day two? And so it is we come to the third instalment in the excellent “Undisputed” series.
To briefly summarise the plot – Boyka (ISCFC Hall of Famer Scott Adkins), the villain of part 2, has been reduced to toilet cleaning duty due to his horrific leg injury sustained at the hands of Michael Jai White in the previous movie. He’s become a religious man in the meantime, and ignores money thrown at his feet by his former organised crime handler, but when he learns of a tournament to crown a prison champion, one who will go to another inter-prison tournament where the ultimate prize is freedom, he starts exercising his damaged knee again.
Of course he wins, and of course he goes off to Georgia for a tournament featuring 8 men from all round the world – North Korea, the USA, Brazil, Colombia, and a few generic Eastern European guys who lose in the first round so who cares. It’s starring Scott Adkins and is directed by Isaac Florentine, so you know it’s going to be decent even if the plot is somewhat on the generic side.
So it’s right here that this tournament, organised professionally enough that high-level criminals from all over the world are in attendance with their best prison fighters, begins to raise doubts. The competitors are all locked up in a Georgian prison and forced to do hard labour while the home-team fighter (the Colombian, for some reason) gets to relax and train as much as he likes. Also, the losing fighters are taken out into the woods and shot after their fights.
I know I mentioned this in part 2, but imagine you’re a big criminal who’s bet a lot of money on this fight, only to discover that the people who organised it are cheating to ensure their guy wins. Would you laugh off the loss of all your money or would you send a team of mean dudes round with shotguns and slaughter the prison warden and his entire family, in case anyone thought of messing with you ever again? If you were the handler of one of the fighters who was murdered after losing, would you enter again the next year or would you tell everyone you ever met to never do business with that Georgian psychopath; or hell, just organise your own tournament and not invite him?
To be fair to the movie, it makes a half-hearted attempt to circumvent part of the criticism, but I’m really not sure it works. I feel like I could be a really successful criminal just by being nice to other criminals, honestly.
I like the gradual redemption of the Boyka character, how he’s still a mean guy but one who understands, perhaps, the impact of his previous actions. And although it’s obvious as hell, I like the gradual building of his friendship with the American boxer, one “Turbo” (Mykel Shannon Jenkins, a former winner of a reality show where the prize was a gig on a soap opera). I also like the development of Gaga, the Russian mobster who’s Boyka’s handler and perhaps friend; as both characters are now more central, they’ve become more sympathetic and the movie works better as a result. Mark Ivanir, perhaps best known as a voice guy in computer games, is having a good time as Gaga, even given a curious character quirk (he’s been forced to become a vegetarian to combat his high cholesterol).
I think the budget is a little lower than part 2, not just because of the relative lack of star power. The extraordinarily filthy prison is barely glimpsed, and the new prison feels like a repurposed industrial facility and all the scenes are filmed in some decaying part of eastern Europe or other. Still, at least they’re not pretending it’s the USA!
A quick note about the fighting in all three “Undisputed” sequels – it’s supposed to be MMA, but it’s more like the martial arts that are being mixed together are high-flying ones from movies, not effective ones from real life. People fly through the air and do complicated spin-kicks, when if that was tried in a “real” fight, the opponent would probably do something short (like a punch or simple kick) that landed while the other guy was still half-way through his spinning thing. Listen at me, pretending to be an expert on fighting styles! What does come across a little in part 3, though, is that it feels like an 80s classic, where people of radically different fighting styles get together to see who’s best, the sort of thing that the early UFC bouts finished off forever. Let it be said that Scott Adkins is absolutely superb, though, and the benefit that’s gained by being able to shoot him in long, continuous takes of multiple moves is a huge boon for the entire series.
As well as colourful styles, we get some colourful characters, too. My favourites were the two prison guards, who were so specifically odd-looking that I wondered if they were archetypes from some Eastern European tradition I was unaware of. I also liked how ludicrously camp the main Colombian villain was, reading magic realism underneath a parasol while watching the other prisoners break rocks.
One interesting thing that my wife pointed out to me as a positive is that there are no women in this movie. Not a one, none on camera anywhere as far as I can tell (there might be one in a crowd shot somewhere?) To have a story which doesn’t resort to cheap unearned sex, or the exploitation of nude ladies, is something of a relief honestly. And, you know, a movie about prison-fighting men doesn’t perhaps need any women in it – obviously, that lack of female representation is its own problem, but just telling a story simply and reasonably is a win in my book.
This is a surprisingly decent movie. There’s a good central friendship between Boyka and Turbo, lots of great, well-filmed action, and while the Bad Guy Economics once again let us all down, you’ll have a fine time with this one.
Rating: thumbs up