There’s a thing in low-budget cinema, where producers will make the first five minutes of a movie as a sort of sizzle-reel, to entice distributors and secure funding for the rest of the production. This is fine, and normal. But there’s also the sort of people Mel Brooks introduced us to in “The Producers”, who make the first five minutes, get distributor funding, then go very cheap on the actual movie and pocket all that sweet cash.
I won’t spoil the surprise by telling you which side of things David A Prior was on, but I’ll take you through a few key scenes in the early running of “Mutant Species” and you can make up your own mind. The Army has some chemical that’s so dangerous they’re launching it in an unmanned cargo rocket into spac; of course, it crashes in the wilderness somewhere, and a group of soldiers are sent out to find it and burn the area so it’s as safe as possible.
The army guys are led by Hollinger (Leo Rossi, who’s a very busy actor still) and the two main underlings are Trotter (Ted Prior) and Jones (Jack Forcinito, making a return to the Prior-verse). Of course, Hollinger has been given alternate instructions by his superiors, and we see a small amount of liquid from the vial crawl into his body before he and his team burn the area. Hollinger slaughters his team with tears in his eyes, but Trotter and Jones escape.
To this point, it’s been superb. A little derivative, maybe, but tight, well-written, with an excellent central group of actors with good chemistry. But most of the rest of the movie feels like a throwback to the old David A Prior, with its being mostly set in the woods, and there’s even a military base which is just some tents. The mutant of the title becomes more mutated and less human; the two remaining soldiers become more desperate; the top military brass reveal all their evil secrets; you know, the same way dozens of cheap “Predator” ripoffs have done it. The monster, when we see him much later on, is a bit laughably cheap too, with silly wobbly arms that are way too low and a dog’s face.
But there’s good stuff too. Denise Crosby, who we’ve met at either end of her career (1986’s “Eliminators” and 2013’s “Invasion Roswell”), is the nice local lady who gets drawn into events, having rather implausibly decided to live off the grid; and Wilford Brimley (“Hard Target”) is the Army general who wears a Hawaiian shirt and sunglasses throughout his time on screen. And, for those of us who are deep in this life, there’s a tiny appearance from our favourite member of the Prior-verse, Doug “Pappy” Harter, as a truck driver.
It’s a bit slow, is the last two-thirds. You’ve seen it before, over and over again. So many times. It’s times like this I wish I hadn’t insulted Ted Prior on Facebook so I’d stand a chance of getting an interview with him about why this throwback was where it was in his filmography.
We’re on the final lap of this experiment, that almost killed the ISCFC. I think there’s 10 Prior movies left, and after this I promise we’ll do something funner. I’ve long since forgotten why I thought this would be a good idea. Do you need anything more about “Mutant Species”?
Rating: thumbs down