I’m beginning to run out of things to say about David A. Prior, dear reader. He served in Vietnam and clearly it had a serious effect on his psyche, as he’s used the same rough set of themes in over half the movies he’s made to date – but I’m not sure he’s…developing? I also appreciate that I’m going a little bit too far down this rabbit hole, but while it would be easy to mock him for being a bit cheap and cheesy (and, to be fair, we’ll do some of that) there’s an honesty and intensity to him that I have to admire.
“Operation Warzone” might as well be called “Double Cross: The Movie”. Pretty much everyone is either a villain and a good guy at one point, then the idea of what a good guy is gets flipped, and…well, it’s certainly never boring. We start off in media res (see, I know some smart-guy things!) with a gun battle between a few US soldiers and some Vietcong. Well, I say Vietcong, I mean everyone who looked vaguely non-white who Prior could afford for the day, and both sides shoot meaninglessly at each other for a few minutes. There’s a problem in that a large building is clearly visible behind the American troops, so you’re left thinking “why don’t they just use that as cover rather than one branch and a few bushes?” This group of Americans features two of Prior’s regulars, William Zipp and Fritz Matthews, and the banter flows freely and easily.
Sorry, we shouldn’t dwell on minutiae. The plot is, there’s a fellow called the General out in the Vietnam wilderness somewhere who has some very crucial information, and the first group rescue another group of soldiers who are trying to find him. So they all decide to team up, but then there’s a solo soldier with a fine moustache who’s dispatched by the obviously shady Colonel to rescue the other guys and find the General himself; and yet another group, this time Australian mercenaries, who are also after the General, or there to capture the second group, or something. The main Aussie mercenary is a casual badass who does a fine job with the rather…er…inconsistently written part he’s given. Oh, there’s a really silly subplot with some high-up Army guy or Senator or something back in the USA that was there because Prior had access to very slightly famous actor (Joe Spinnell, from “Maniac”).
We can’t go any further without mentioning the elephant in the room, the thing that’s so strange it would be the sole thing I’d mention about this movie, were I in some situation where I could only mention one thing – the music. I’m going to share a fight scene, but there’s another scene which isn’t available on Youtube where they’re trekking through the jungle to the strains of some generic bouncy 80s pop which wouldn’t be out of place in a college frat party scene. Here you go, anyway.
There’s even, among the walking and the pathetic gunfights and the double-crosses, some interesting ideas. As they’re talking about the Vietnam war, and wanting to stop it, one of the soldiers mentions, quite casually, that the top brass wants war, that if there were peace they’d get less money. Keep that under your hat, Prior! Powerful people might be listening!
The final fight is actually pretty decent, as the good guys and bad guys are finally resolved, and we get the ass-kicking, squib-exploding fun we’ve come to know and love from this director, plus a healthy amount of grenades, long the director’s favourite weapon. Ted Prior, also credited co-writer, pops up as “goon no.3” in one scene but despite being a much better actor than almost all the cast and obviously being available, is blink-and-you’ll-miss-him. I like the way Prior writes male friendship, honestly, as he has that sort of easy camaraderie down, and a good group of actors to do it with – I just wish he’d tried to do something else with it than yet another movie where a bunch of white guys treks through the jungle and kills a bunch of Asian guys (plus a few evil white guys).
While we’re on the subject of race, there are two black people in “Operation Warzone”, both of whom get killed without uttering a line or having more than thirty seconds of screen time. I have no evidence that Prior was a racist, and he perhaps never even considered it, but it stands out to our 2017 eyes and really shows its age.
What else, what else…there’s a really terrible song over the ending credits called “Is This The Love?”, which is so far out of place in a Vietnam war movie with no love interest in it that I sort of admired the sheer lack of effort which resulted in its placement; and then there’s an extra with the fantastic name of Mace Bacon, which is the name of the hardcore band I intend to form one day. Other than that, it’s very literally nothing you’ve not seen before.
We’ll press on with Prior and “Hell On The Battleground”, which might actually just be this movie under a different title (I joke, but only a little). Stay with us, please?
Rating: thumbs in the middle