Our voyage through the movies of David A. Prior (and his brother, actor Ted) brings us to an interesting movie, which – while not spookily similar – predates “Jacob’s Ladder” by two years, and poses some interesting questions about the psyche of the fellow making it.
For those keeping score (in other words, me) this is the third of Ted Prior’s six movies to date to feature Vietnam, people getting tortured in the “jungle”, and a main villain who’s an American soldier who collaborates with the enemy, Amazingly, it looks like three of his next four movies – “Operation Warzone”, “Hell On The Battleground” and “Jungle Assault”, all continue the trend (the other – “Death Chase”, looks like another riff on “The Most Dangerous Game”, but set in an actual city!) Although biographical info is in short supply, it seems Prior did indeed serve in the military in Vietnam, so perhaps something he saw or did there traumatised him to the extent of working through it, over and over again, in his movies.
The level of darkness to these scenes is certainly unusual among his b-movie brethren, where war is rarely portrayed as such unremitting hell. It starts off with Trent (Brian Edward O’Connor) having a terrible dream about his time in Vietnam – he escapes from his torture room, frees his friend Jim (Cameron Lowery) but before he can free his other friend, the sadistic American who’s helping out the Vietcong, McGregor (Steve Horton), shoots him. The torture isn’t particularly graphic, but it it feels weirdly real, like it’s not a photogenic Hollywood actor getting beaten up but surviving it manfully. They look like they’re genuinely in pain.
Anyway, the two men meet up and discuss their trauma, and how it’s happening to them both. Jim is married and his marriage starts to suffer, there’s perhaps the world’s sleaziest car salesman in a fantastic cameo, and Grizzly Adams himself, Dan Haggerty, shows up as a particularly unconvincing psychiatrist. His part, much like that of Cameron Mitchell in “Deadly Prey”, feels tacked on and a little unrelated to the rest of what’s going on (plus, his actions – tying the men up and holding them at gunpoint til they snap out of it – seems super-unethical). I mean, I’d worry too if a guy produced a severed finger which could be matched back to a guy who’d been officially dead for 20 years, but still.
In its second half, it sort of pivots to become “A Nightmare On Elm Street” – McGregor realises he’s a figment of their psychosis but still wants to kill them both, over and over again, as “death doesn’t exist here”, and even decides that if they can visit him, he can visit them; and Trent and Jim start arming and preparing themselves for battle over in the dream-Vietnam, figuring that if the injuries they get over there transfer themselves back to the real world, then they can rescue their friend and bring him out too.
I’m not sure it’s all that good a movie, but it’s interesting in a way that a more big-budget movie might not be, as it feels very personal. If Prior had to go through anything like this in Vietnam, then I feel deeply sorry for him (while still appreciating the USA should never have been there in the first place), but the repeated use of these tropes in his movies goes beyond just wanting to get it right and goes into the idea that he can’t get past those images. I have to assume his friends at A.I.P were going, “hey David, want to try some different genres? I think we’re good for dark Vietnam stories for a few years, thanks”.
While budgets are obviously a concern, with Vietnam still looking like the Alabama backwoods it was undoubtedly filmed in, there’s some visual fun, like the juxtaposition of the grotty jungle camp with the flowery bedroom the two men are performing their sleep experiments in; and of course, the old ISCFC favourite, the
WOODEN GUARD TOWER!
As we all know, it only has two variations – it either gets blown up (because if you make a movie, you don’t build a wooden guard tower for the hell of it) or someone gets shot out of it and tumbles to their just-off-camera-crash-mat death. This is version B, and I’m glad to see it.
Just because something’s earnestly made, doesn’t necessarily make it enjoyable to watch, and it’s safe to say that “Night Wars” isn’t going to be in anyone’s top 10 war movies list. But, it’s different. It has a twist-ish ending that you’ll never see coming, and the way it messes with reality is quite interesting too.
Ted Prior didn’t act in this one, but he did get a co-writing credit and serving as art director (not sure what that means in this instance, but good on him). There’s also a rather surprising link to a previous ISCFC review series, with Joe Lara (of “Final Equinox”, “Hologram Man” and “Steel Frontier”) showing up as one of the American army extras in the Vietnam scenes. Join us in a few days for “Death Chase”!
Rating: thumbs in the middle