Leprechaun 4: In Space (1996)

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I have to admire a movie that cares so little about establishing its own premise. And the title, too! “In Space”, as if that’s all the information you deserve or should care about. You know the routine, so let’s have some fun with the setting, right? So, with zero explanation as to why the series has leapt forward a few hundred years or why the leprechaun decided to go to space, here we are.

 

It’s quite surprising how many horror franchises have gone to space, although it’s a trend which died off hard, around the millenium. If you count “Critters” as a horror franchise, it went to and from space from the very beginning, but we’ve got “Hellraiser 4: Bloodline”, then this in the same year, then “Jason X”, not just the best of the space-set horror movies, but right at (or near) the very top of all horror franchise instalments.  Lord knows why they did it, but I’d be happy if they carried the tradition on. “Paranormal (And Extraterrestrial) Activity”! “Cabin (On A Spaceship) Fever”!

 

Fans of super-cheap CGI will have a field day with this one, as right at the beginning a bunch of ships and planets pass by our…heroes? That’s a pretty strong word for them. They’re marines who are working for a mining company, I think, and are trying to track down some alien that’s been disrupting their mining operations. Of course, the “alien” is the leprechaun (never referred to as such throughout the movie, tedious information fans) and as we meet him he’s romancing the Princess of a local planet. He wants power, she wants gold, and they both plan to kill the other after the wedding ceremony so it’s a match made in heaven.

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The marines turn up, blow the leprechaun to pieces and wound the Princess. The marine unit has a tradition of urinating on the corpses of their victims, but few of those victims are immortal Irish spirits, so the leprechaun’s life-essence travels up the urine stream and a few minutes later he busts out of the hapless marine’s crotch (“Alien” style). There’s Dr Mittenhand, who might be the boss of the mining company, but is definitely a mad scientist (looking like a cross between Davros and Dr Strangelove) and he wants to use the unconscious Princess’s DNA to regenerate his own horribly crippled body. You know, normal stuff. And so the movie grinds on.

 

It seems that the makers of “Leprechaun 4: In Space” decided that originality was overrated and just decided to rip off lots of famous sci-fi movies and TV shows. There’s “Alien” and “Aliens”, of course (marines sent to kill alien on other planet); “Doctor Who” (the look of Mittenhand); “Star Wars” (the leprechaun inexplicably uses a lightsabre in one scene); and even “Red Dwarf” (large mining ship, plus the way Mittenhand communicates with the crew in the first act). I guess when you’ve ceased caring to this extent, you might as well double down on the laziness.

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To accompany the miserable script and cheap effects, we’ve got some rotten acting too. The only two people who understand what sort of ludicrous movie they’re in and act accordingly are Guy Siner (“Allo Allo”) as Mittenhand and Rebecca Carlton (“Baywatch”) as Princess Zarina; the Marine Sergeant, referred to in the credits as “Metal Head” – due to half his skull having been replaced with a metal plate, so fair enough – is sort of okay but everyone else is just boring, complete wastes of space who think they’re in “Aliens”.

 

I’m firmly of the opinion that a wacky concept doesn’t excuse you from not making any sense. Look at “Crank”, one of the most OTT movies ever, but it’s a completely logical premise. Here, the leprechaun seems obsessed with his pot of gold…despite being on a planet apparently largely made of the stuff. It feels like the scriptwriter just went “ah, screw it” and wrote down the first thing that came into his head; and director Brian Trenchard-Smith, returning from part 3, seems to have given up too (which makes part 3’s relative quality all the more surprising).

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I just don’t understand why it exists. Well, I think it’s to throw stuff at the screen and try and get a camp so-bad-it’s-good hit – for instance, “Metal Head” is brainwashed into doing a drag act, and from then to the end of the movie, keeps alternating between a non-hilarious “gay voice” and their normal gruffness. Mittenhand gets transformed, thanks to a spider and scorpion being dropped in his DNA soup, into a monstrous creature. The Leprechaun gets turned giant. The easiest way of spotting no-one had any idea what they were doing – it’d be relatively simple (and quite good) to put the Leprechaun and “Mittenspider” together as the big fight at the end…but they don’t. The one plus is the leprechaun doesn’t rhyme all his dialogue, even though it’s still terrible. But the leprechaun being, y’know, a leprechaun, barely factors into the movie at all.

 

It feels like a smart 13-year-old trying to shock his parents – quite fun in places, but ultimately pointless and tiring.

 

Rating: thumbs down

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