Leprechaun 3 (1995)

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In what may be the lowest bar to clear in movie history, this is the best Leprechaun movie so far. It has a couple of sections I quite liked, a few decent performances and some funny lines. Now, this is a very long way from saying it was good, but at least we’ve got something to work with this time and I don’t just want to cry myself to sleep.

 

The leprechaun is what I can only assume is yet another different character played by the same actor, as he was blown up at the end of the last one. Or melted, I honestly don’t remember. Anyway, when we meet him, he’s been turned to stone by a magic medallion and sold to a pawn shop in Las Vegas, and of course the pawn shop owner removes the medallion and hijinks ensue. Luckily, the Indian pawn shop owner has a CD-rom about “Legends And Folklore”, so via the wonders of mid-90s flash animation we’re treated to yet another entirely different backstory for our Irish friends – this time, it’s destroying their gold that will kill them, not four-leaf clovers or wrought iron. Ho hum.

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The main couple don’t so much have a meet-cute as a meet-stupid. He’s a hayseed who’s driving through Vegas on his way to college in California, and she’s a magician’s assistant whose car broke down at the side of the road. He offers her a ride and asks her to sneak him into the casino where she works – he’s apparently under 21, although looks 30. They’re both shockingly bad actors – John Gatins is “Scott McCoy” and Lee Armstrong is “Tammy Larsen”, and the nowhere their careers went would bear this out (Armstrong wouldn’t work again after 1995, and Gatins has hung around the bottom rung of Hollywood – he does have a good self-awareness of how terrible he is, though).

 

So, he loses his college tuition money, and then goes to pawn his watch across the road, and discovers the near-dead pawn shop owner, the pot of gold and the leprechaun, who tears his arm open and…maybe?…infects him with “leprechaun-ism”? I’m really not sure, that scene was weirdly edited. So, the action switches from the shop to the casino, with a decent cast of supporting characters – the owner of the casino, who owes a couple of gangsters some money; and the crappy stage magician; the middle-aged croupier who wishes her boobs were more pert. The gangsters in particular are very well-judged comic relief, and the magic, when we see it, is also funny in its badness.

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What director Brian Trenchard-Smith (last seen by us in “Drive Hard”, but most famous as director of “Turkey Shoot” and “Dead-End Drive In”) has done is made Las Vegas look like the most miserable place on Earth. No-one seems to like being there, and everyone treats everyone else like scum (with the exception of our central couple). Much like “Jason Takes Manhattan”, the actual amount of footage filmed in Vegas itself is tiny, a few scenes of the Leprechaun cackling and running around the streets, and most of it is indoors, in a grimy casino or a pawn shop. By the way, I reckon a Las Vegas pawn shop would be probably the most depressing place ever to work. So the characters run between these locations, trying to find the missing coin that grants wishes (although, it seems each character only gets about half an hour to enjoy their wish before they get brutally murdered – I can’t help but think if that was part of the legend, no-one would dare touch one of his coins).

 

What it does have is lots and lots of really bad rhyming puns, same as the previous two films; but there are some good moments astonishingly. The Leprechaun takes over a TV at one point and broadcasts fake adverts starring himself, and when confronting Scott near the end, he says “come over to the green side”. The scene where he does the chainsaw “trick” with the magician is funny too…it felt rather peculiar to laugh at, not with, a “Leprechaun” movie.

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Just so we don’t do anything stupid like give this a thumbs-up, there are some very odd moments. The obsession with potatoes has its origin with jokes about the Irish potato famine and certainly could be seen as offensive to Irish people (as is the modern depiction of the leprechaun, if we’re being honest). And the two main actors really drag every scene they’re in down, with Armstrong particularly looking and acting like a very poor man’s Elizabeth Shue. It’s a film of two halves – when the leprechaun’s not on screen, everything is great.

 

If literally the only movies you have access to are the first three in this series, pick this one. Otherwise, just avoid.
Rating: thumbs in the middle

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