Our series on Donald Farmer’s movies will continue – we’re currently keeping our fingers crossed that our efforts to track down a copy of his unreleased-on-video-or-DVD “Space Kid” will come to fruition, and then we can carry on. But in the meantime, ISCFC readers need to know what long-forgotten movies are good or not, so we’ve got work to do.
And this brings us back to another ISCFC “favourite”, Albert Pyun. After losing our minds with annoyance at “The Sword And The Sorceror”, we’ve left him alone for a bit, but here we are. It’s got a typical Pyun story behind it, too. After making the surprisingly boring “Cyborg”, Pyun clearly wanted to make a sequel, but the producers decided to go with something people might actually enjoy watching, hiring Elias Koteas and Angelina Jolie. Our Albert wasn’t to be deterred though, and decided to make a couple of cyborg movies anyway, just with different names, which is why we have this and 1996’s “Omega Doom” to enjoy.
We’re in a typical post-apocalyptic situation – well, I say we are, it’s never really touched on by the movie. Cyborgs and their human slaves raid settlements in order to kidnap people, take them back to their base and drain their blood. The cyborgs have figured out that doing this allows them to live longer, or something, which is actually a pretty cool if impractical idea, given the number of humans this one band of cyborgs gets through in the course of the movie. So, in the middle of a weird fight where the screen is full of dust and you can’t see anything – although we do get a brief cameo from ISCFC Hall of Famer Tim Thomerson, who must have owed Pyun a favour – we meet our hero Nea (kickboxer and her era’s Gina Carano / Ronda Rousey, Kathy Long) and the guy who helps her out, good cyborg Gabriel (Kris Kristofferson).
There’s really not a lot more to talk about in terms of plot. The cyborgs are about to invade some town somewhere, and Gabriel was programmed to put a stop to them. There’s an evil creator guy, but he’s only on screen for a few minutes and is clearly there to set up the sequel which never came; and a potentially fascinating subplot where the evil cyborgs say “are we alive?” and start discussing their programming, only to have that entire idea dropped like a hot potato, like a better writer / director had wandered onto the set and filmed that segment. Other than that, it’s the standard hero’s journey, where Nea is trained by Gabriel to take on the big bad.
That big bad is chief cyborg Job (Lance Henriksen). Henriksen realises how silly this all is and gives it his overacting all, so that’s another mark in this movie’s favour; his henchman is 90s action movie mainstay Gary Daniels, and he’s a little more problematic. Basically, all Job’s lieutenants dress the same, and sort of look the same too (big white guys with stupid hair, and masks covering their faces) so I was under the impression Daniels was killed three or four times. Although one person who couldn’t be accused of looking the same is Kristofferson’s stunt double, who looks a good thirty years younger and has a completely different hairstyle.
Our most common complaint about Pyun is his lack of willingness to film transitions, to show how one scene connects to the next. That’s not a problem here, because pretty much nothing happens. Basically the entire second half of the movie is Nea fighting cyborgs and their human lackeys – while some extended fight scenes work due to escalation of the action or through bravura editing / filming techniques, this is just watching an admittedly skilled fighter dispatching hundreds of guys in one of three or so fairly similar ways. There comes a point where you’re begging them to get on with it, to have something else happen, and if Long was a complete non-actor, I’d understand, but she’s really not that bad so some variety would’ve been nice.
It’s not the worst Pyun movie we’ve ever seen – that’s the three “Nemesis” sequels, in a tie – and it’s always nice to see a woman who looks like she can fight, with an athletic build rather than an impossibly skinny one, but too little happens to make it worth your while.
Rating: thumbs down